By 1995, grunge had firmly taken over the rock landscape, leaving many hard rock and metal bands struggling to stay relevant. Skid Row, once at the top of the hair metal scene with their aggressive blend of sleaze and heaviness, found themselves in a challenging position. Enter Subhuman Race, an album that saw the band evolving with the times while staying true to their signature intensity.
This third and final studio album featuring Sebastian Bach as frontman took a rawer, heavier direction than its predecessors. The polished glam sheen of Skid Row (1989) and the darker, more aggressive Slave to the Grind (1991) gave way to an even grittier sound. Produced by Bob Rock, the mastermind behind Metallica’s Black Album, Subhuman Race embraced elements of groove metal and post-grunge, reflecting the changing musical climate.
Tracks like “My Enemy” and “Bonehead” hit with crushing riffs, while “Beat Yourself Blind” showcased a darker, almost alternative-metal approach. “Into Another” and “Breakin’ Down” provided the necessary melodic balance, proving that Skid Row could still craft powerful, introspective tracks amid the heaviness.
Despite its bold sonic shift, Subhuman Race didn’t achieve the same commercial success as its predecessors. The shift in the musical landscape, coupled with internal tensions within the band, contributed to the album’s underwhelming performance. By 1996, the cracks widened, leading to Bach’s departure and a long period of uncertainty for Skid Row.
Looking back, Subhuman Race stands as an overlooked gem in Skid Row’s catalog. Its heavier sound and willingness to experiment made it a unique entry in their discography—one that, over time, has gained more appreciation from fans who recognize its unfiltered energy and raw emotion.
