Ken Bedene, best known as the longtime drummer for Belgian death metal band Aborted, has released a public statement addressing serious allegations made against him by his ex-partner. His response comes shortly after his sudden departure from the band, which left fans and followers with many unanswered questions.
On April 29, Bedene took to social media to break his silence and provide his side of the story regarding accusations that surfaced online, particularly through TikTok, where his former partner shared claims of misconduct within their past relationship. These allegations have drawn attention not only because of their sensitive nature but also because they involve a prominent figure in the extreme metal community.
In his carefully worded statement, Bedene stated that he chose to remain silent initially out of respect for the privacy of those involved, and to allow space for personal healing. However, with growing public scrutiny and speculation, he felt it necessary to make a direct comment.
“While I don’t wish to invalidate anyone’s experience, I firmly deny the characterizations and claims made about me,” he wrote. He added that he never intended to cause harm to anyone and is deeply affected by how the situation has unfolded. Bedene emphasized that he believes in open communication, accountability, and mutual respect, and that he will continue to reflect and grow from this moment forward.
He also revealed that stepping down from Aborted was a decision made to prevent the band from being affected by personal matters. “I didn’t want any of this to become a distraction for the band, my brothers in music,” he said.
Aborted has not released a formal statement in response to the situation since Bedene’s exit. The band is currently preparing for their upcoming tour, and no replacement drummer has been officially announced as of yet.
Due to the sensitivity of the topic, fans have taken to online forums and social media to discuss the situation, with opinions divided. While some express support for Bedene’s transparency, others have called for continued accountability within the music scene at large. The community remains attentive, as the broader dialogue around safe spaces and ethical behavior in music continues to grow.
This situation serves as a reminder that musicians, like all public figures, are not exempt from scrutiny, and that transparency, healing, and responsibility are essential components of any public narrative.
We will continue to follow this story as it develops, always aiming to respect the dignity of those involved.
